The highway of martyrs from Bekaa to Baalbek

Monday, 23 March 2009

Baalbek, the city of the sun, is the most famous Roman ruin in the Middle East. We drive an hour and a half from Beirut through the Bekaa wine valley to find this unlikely place rising from crowded tourist shops. On our last stretch we pass migrant camps, day laborers, and dormant grape vines.

Every fifty meters there are billboards of martyrs along a new highway. This is Hezbollah country. As an American, I am nervous. "Our country is friendly with Israel," my mother explains to our driver. "Is this a problem?" she asks. "There is nothing between America and them. Nothing," he says of his home, dusting both hands as if to say, it's finished.

We arrive at Baalbek and it is raining. We wait it out, stopping to eat in a smoke filled shop with thyme pie and Turkish coffee thickly brimming. An old man with tourist books complains in Arabic that it might freeze overnight and kill his future harvest. Laughing, a young man sits in a corner, his water pipe curling smoke. We nod sympathetically to the old man and buy his books. Standing up, our driver pays the bill, whispering to us in English that this is the proper way in the countryside.

Hawkers flock in the rain but I am steadfast in finding silence among the ruins. Confused, the gate keepers can't decide whether to charge me the foreigner rate or the Lebanese entry fee.

 


"I'm Lebanese but I live in America," I explain, as if that clears up anything. They settle on my status as a brunette and I pay the resident fee of 7,000 Lebanese lira or four dollars US.

Alone finally, I hear the call to prayer echo off stone, the mist lifting. Snow-capped mountains crown the Temple of Jupiter, the world's largest Roman columns. I linger in Bacchus' temple, the god of wine. What were the parties like? The orgies and human sacrifices?

I backtrack towards the exit/entrance, sitting down next to a soldier standing with a machine gun. I wait to re-join my mother there. The soldier's friends are josteling between laughter and silence. I can only imagine what they are saying. One of them is the same man who insisted he show me around. "Do you like art?" I smile, handing him my business card, making conversation. He explains in Arabic to the soldiers and they nod, revealing finally that my mother is back inside the ruins. I thank them--Merci iktir--and walk away. < next >